Correspondence in Samad Behrangi's story 24 Hours in Sleep and Wakefulness with Russian Jacobsen's theory

Abstract

In lyrical literature, sometimes emotions are hidden in the depths of texts to such an extent that they affect the text to such an extent that they transcend time and space. Among them, Samad Behrangi's emotions in the story 24 Hours in Sleep and Wakefulness are evoked in such a way that they keep the reader in the flow of the text moment by moment. To the extent that the reader, along with those innocent children, despairs of life and is taken into the depths of the story. The story is in a newer content than other works. It refers to the reality of daily life in a pulsating society and shows the close relationship between Behrangi's creative art and the nature around it. It is completely opposite to the Russian formalists' static and retrograde style. The breadth of concepts that originated from the works of the past is less visible in the way the story is told. What is most noteworthy in this research is the adaptation of Samad Behrangi's thoughts and mentalities to the fluid realities and truths of life, which deals with the general struggle of oppressed humanity against the injustice of the oppressors. Most of the concepts of the story refer to the general beliefs and theories of society rather than the application of one's own mentalities and perceptions and the static nature of one's own mental understanding. Because if this is the case, the work, no matter how beautiful and valuable it is, will not remain stable and will be invalidated. In the research, the story of 24 Hours of Sleep and Waking by Behrangi has been done in a comparative manner with the Russian formalists and the author Jakobsen's view of death, which has been analyzed and studied in a descriptive and library analytical manner so that it can be used by analysts.