Comparative Study of the Content Image of "Palestine" in the Poetry of Iranian and Iraqi Poets

Abstract

This study presents a comparative analysis of the content imagery of Palestine in the poetry of Iranian and Iraqi poets, aiming to explore how this issue is represented within two distinct literary traditions. The significance of this topic lies in the fact that Palestine, as one of the most prominent symbols of resistance, freedom, and justice in the Islamic world, has been extensively reflected in contemporary literature. The theoretical framework is grounded in comparative literature studies, particularly the American school, and its connection with the discourse of resistance and literature of steadfastness. Findings indicate that Persian poetry primarily emphasizes the mystical–value dimensions, the sanctity of struggle, and its linkage to Ashura culture, using symbolic language and religious references to portray Palestine as the scene of the triumph of truth over falsehood. In contrast, Iraqi poetry adopts a more realistic and tangible approach, directly narrating suffering, exile, destruction, alongside themes of resistance and hope for liberation. The comparative analysis reveals that, despite stylistic and semantic differences, both traditions show substantial overlap in core concepts such as resistance, oppression, martyrdom, and freedom, ultimately serving to reinforce a shared discourse of steadfastness across the region. The overall conclusion suggests that contemporary Iranian and Iraqi literature, despite differing representational approaches, play complementary roles in shaping the cultural and political image of Palestine and hold significant potential for fostering solidarity and cultural dialogue.